Performance art projects in video documentation
Interview and excerpts from performance
A modest interview and excerpts from performance "Above and Under the Chair" during the 10th RAVY Biennale curated by Serge Olivier Fokoua in Yaounde, Cameroon, 2018.
Interview, camera and editing: Video: Yvon Ngassam
Walk
The Performance consists of several difficult steps with the help of spectators. Performed at New Performance Turku curated by Leena Kela, Finland, 2017.
during the year of support by Kone Foundation.
Video: Christopher Hewitt
Suicide Attempt Doomed To Failure
Performance filmed during CREATurE Live Art festival Daina Pupkevičiūtė & Vaida Tamoševičiūtė in Kaunas, Lithuania, 2014.
Camera: Akvilė Matulaitytė and Lukas Motiejūnas
Editing: Lukas Motiejūnas
Introduced Species
Performance recorded during Mother's Tongue festival curated by Willem Wilhelmus in Universum Theatre, Helsinki, 2014.
Cameras: Issa Tuoma, Marcio Carvalho and Frida Stenbäck
Editing: Tomasz Szrama
Blind Date
Performance filmed during Live action Gothenburg curated by Jonas Stampe, Sweden, 2013.
Untitled (On the Inclined Plane)
Performance filmed at Viva!Art Action, Montreal, 2013.
Video recorded by John Boyle Singfield
Ode to Joy
Performance recorded and edited in camera by Erkki Pirtola during the 2nd Là-Bas Live Action Biennale curated by Irma Optimisti, Helsinki, Finland, 2012.
Three Nails
Performance during GUANGZHOU LIVE 3 Festival curated by Jonas Stampe in Guangzhou, China, 2012.
Black Knight
Performance recorded during Streetlevel Festival - Performance Art in Public Space curated by Roi Vaara, Katri Kainulainen in Helsinki, Finland, 2015.
Camera and editing by Maximilian Latva
Three Hundred Times A Fallen Angel
Performance for camera recorded at home, office and various public spaces in Helsinki, Finland, 2009.
Video by Tomasz Szrama.
Camera: Tomasz Szrama, Maria Kuusniemi-Szrama
Even Worse Taste of Now
Stop motion video documentation of four day long participatory performance at EXIT Festival curated by Roi Vaara in Helsinki, Finland, 2001.
Thanks to Marek Pluciennik for camera and Marcus Lerviks for helping with editing.